clownin 2008
Patronage: Johanna Dohnal, Minister for Women, ret.
Opening: Sandra Frauenberger, Councilwoman for Women
Workshop
Introduction to Clown
Held by: LILA MONTI (clown, actress, director, teacher), from Buenos Aires, Argentina
Saturday, November 29th, 10 a.m. - 5 p.m. (6 hours with one break)
And Sunday, November 30th, 11 a.m. -6 p.m. (6 hours with one break)
At Grüne Galerie, Hermanngasse 25, 1070 Wien
Price: € 95,-- (without food) for both days
Number of participants: min. 10, max. 15 (for women and men)
Registration via Email: office@clownin.at
Account number: 00510-035-607
BLZ: 60.000 (PSK)
BIC: OPSKATWW
IBAN: AT896000000510035607
The workshop is for adults who are interested in clowning. Beginners are welcome.
The workshop is held in english.
The workshop teaches the basics for beginner clowns.
For example, contact with the public, play and imagination, transforming impulse into action, handling joy and failure, improvisation (solo and group), etc.
Discourse
Women in the conflicting fields of "art - humour - poverty"
Lectures and panel discussion
Monday, December 1st (6.30 p.m.)
At KosmosTheater
How poor must one be to lose their sense of humour?
How precarious do the circumstances have to be to lose the ability to laugh?
Is humour a question of money?
Is it possible to make good art, if one is poor?
Or is it only possible to make good art, if one is poor?
If poverty is female, why is art so male dominated?
Introductory presentations Yaara Perah (Israel), Geni Viegas (Brazil) and Barbara Kraus (Austria)
followed by a panel discussion
Moderation: Michaela Moser
Translation is provided. Free entry!
Agencies
ots.at
Web
photobasis.net Clownin 08Kronen Zeitung Chaos, Charme und viel Perfidie
chilli.cc Rote Nasen und Krieg à la Clown
chilli.cc Netzstrümpfe statt Ringelsocken
Die Jüdische "Nehmt eure kugelsichere Weste mit"
diepresse.com Wer hat Angst vor Clowninnen?
wienerzeitung.at Künstlerin bis in die Nasenspitze
diestandard.at Zum eigenen Humor bekennen - und zu Schwächen
diestandard.at Die Wahrheit durch die rote Nase sehen
punkt Es darf gelacht werden
stadt-wien.at Clownfrauenfestival
wien.gv.at Frauenberger eröffnete Internationales Festival "clownin" in Wien
Standard.at
diestandard.at
Ö1 online
ORF Wien online
ehrlichtreu.org
Teletext
wienweb
TV
a.viso 23.11.Winterzeit 2.12.
Radio
Ö1 - Leporello 02.12.
Radio Wien
Radio Arabella
Die Presse 1.12.
Die Presse 4.12.
Der Standard 1.12.
Wiener Zeitung 1.12.
Neue Vorarlberger Tageszeitung 5.12.
Kurier 8.12.
Kurier 28.11.
Die ganze Woche 29.11.
Falter 29.11.
Anschläge 12/06-01/07
Augustin 191
City 48/06
Österreich 1.12.
Österreich 4.12.
OK Graz 6.10.
OK Kärnten 6.10.
Dolomiten
Heute 16.11.
Heute 31.10.
Krone 10.11.
Kärntner Tageszeitung 3.11.
Tiroler Tageszeitung 6.10.
Raiffeisen Zeitung 9.11.
Salzburger Nachrichten 6.10.
Wiener Zeitung 6.10.
Heads of Festival: Gaby Pflügl (theater super.nova), Pamela Schartner (theater super.nova), Barbara Klein (KosmosTheater)
Organisation: Gaby Pflügl, Pamela Schartner
Press: Gaby Müller-Klomfar
Video: Katharina Lampert, Johanna Kirsch
Photo: Carolina Frank
Best-Girl: Ulli Komzak
Technics: Helen Farnik, Tom Barcal, Susanne Tauber, Peter Pahl-Hirsch
Organisation KosmosTheater: Silke Felber
Communication KosmosTheater: Beate Schneider
Samantha Anciães (As Marias da Graça), BRA
Anat Bernstein (Igrarama), ISR
Hilary Chaplain, USA
Karla Concá (As Marias da Graça), BRA
Gardi Hutter, CH
Helga Jud (tris), A
Barbara Kraus, A
Anna-Florentine König (Schnell & Grell), D
Martha Laschkolnig, A
Christina Matuella (tris), A
Albina Matuzko, UKR
Micaela Miranda (Igrarama), ISR/POR
Lila Monti, ARG
Aina Moreno (Tè a tres), ESP
Uschi Nocchieri, A
Andréa Padilha (Pé de Vento), BRA
Yaara Perah (Igrarama), ISR
Pepe Pivec (Schnell & Grell), D
Pepa Plana, ESP
Nola Rae, GB
Tanja Rainalter (tris), A
Caroline Richards, A/GB
Vera Lucia Ribeiro (As Marias da Graça), BRA
Elke Maria Riedmann, A
Christina Scheutz, A
Ingeborg Schwab, A
Tanja Simma (Comicompany & Co), A
Silvi Spechtenhauser, A
Geni Viegas (As Marias da Graça), BRA
Verena Vondrak, A
Vanderléia Will (Pé de Vento), BRA
Maayan Winstock (Igrarama), ISR
Martina Winkler, A
Pe de Vento (BRA)
„De Malas Prontas“ (Rumo a lugar nehum)
With suitcases ready (On the way to nowhere)
Saturday, November 29th (9 p.m.) and Tuesday, December 2nd (9 p.m.)
Austrian Premiere
Without words
Photo: Artur Ferrao
Screenplay and Directed by: Pepe Nuñez
Actresses: Vanderléia Will, Andréa Padilha
Circus sketches directed by: Sergio Machado
Lightdesign: Luís Carlos Nem
Stage design: El Grupo
Sound Track: Sergio Machado, Pepe Nuñez
Light and Sound Technician: Pepe Nuñez
Voice-over: Ana Paula Possap
Producers: Pe de Vento Teatro
“De Malas Prontas” is a silent comedy that tells us the story of two women who have no choice but to share the same bench in the waiting room of an airport...
From the very first moment it is quite clear that sharing things with somebody is not an easy task. Conflicts are going to happen at a dizzying speed until they reach a point of no return where there is just one option left … WAR!
Straight to the point and in a great humorous tone, we are drawn into the world of everyday troubles, into the vile battle we have to confront to claim our own space and survive every day.
Life is made up of small wars … and big miseries!
Through laughter we approach typical matters of a contemporary world such as intolerance, greed, envy, wishes, violence... and notice how the lack of dialogue transforms minor conflicts into great tragedies.
Andréa Padilha and Vanderléia Will studied acting at the UDESC (Universidade do Estado de Santa Catarina) in Brazil. In 1999 they founded the Compagnie Pé de Vento. They perform more than 150 shows each year worldwide.
Pé de Vento Company is distinguished by a constant search for its own popular and universal language, using humour as a resource to reach its goal, which is communication through laughter, criticism, and reflection with all social classes, no matter what their cultural or economic conditions are.
The main objective of Pé de Vento’s projects is the inclusion of populations that are economically disadvantaged and historically marginalized.
Since its world premiere in Brazil „De Malas Prontas“ has been seen by more than 100,000 spectators and has won several prizes.